![]() Others were scarcely choices at all.įor years, a combination of Malibu overheads and a draining custody battle with wife number two forced him to grab the first offer on the table rather than patiently plot his ascent to the realms of a Crowe, a Pitt or a Del Toro. Ever since his career-defining Mr Blonde in Reservoir Dogs - the psychopath who hacks off a cop's ear to the sound of 'Stuck in the Middle With You' - Madsen has floundered, making a series of poor choices. His credits mostly lack quality or clout. Judging from his CV, which shows over 100 credits, Michael Madsen has never wanted for work - rather, he has outworked most of his peers, sometimes making more than 10 films in a year.īut appearances are deceptive. We're going to be living in a trailer park.' If I don't go to work soon, I could lose all this. 'I already let two of my motorcycles go and I sold three of my cars - a Corvette, a little Porsche that I had and a '57 Chevy.' He sighs and shrugs. Besides the whoosh of the Pacific on to his private beach below, all you can hear is his beautiful wife Deanna on the phone in the kitchen, his parrot Marlon squawking merrily downstairs, and Madsen's own quiet, whisky rasp, bemoaning his hard times. Since the boys are at school (the eldest is 16) the house is relatively quiet. He bought it from Ted Danson, who bought it from Walt Disney's daughter, who bought it from the man who built it - Keith Moon of The Who. The soundtrack included Ice Cube’s “How to Survive in South Central”, and the fashions worn by the cast were not only of the moment, they’ve had a permanent influence on our culture.It's a great place - bright, white and tall, every wall filled with old movie posters, lovingly framed. ![]() Tre is approaching the end of high school, and being pulled in a multitude of different directions, by the lure of college, by his girlfriend, by friends increasingly involved in gang activity.īoyz n the Hood was a turning point in American filmmaking, and a realization that there were more teen stories to be told than just those of white kids, stories that deserved more attention, and Singleton became both the youngest and the first Black nominee for Best Director at the Oscars. as Tre, Angela Bassett as his mother Reva, Lawrence Fishburne as his father, Furious, and Ice Cube, Nia Long, Regina King, and Morris Chestnut in supporting roles. It instantly boosted the profiles of its lead actors: Cuba Gooding Jr. John Singleton’s 1991 debut film captured a different sort of '90s aesthetic, in his coming-of-age story of a young man growing up in South Central L.A. ![]() The au courant soundtrack included songs by World Party, Lenny Kravitz, Lisa Loeb, and Ethan Hawke. Love story aside, Reality Bites encapsulated a lot of the dreams and fears of 20-somethings in the '90s: how to get a job and be an adult when you essentially raised yourself, how to find love in the era of AIDS, how to be responsible when no one’s taught you how, and how to hang onto the friends of your youth. Lainey is also caught in a love triangle between Michael, a music TV exec played with yuppie precision by Stiller, and Troy, Hawke’s sexy stoner with a total lack of ambition. She and her bestie Vickie (Janeane Garofalo) are obsessed with '80s TV and music, thrift store clothing, and resisting the urge to join corporate America. Similar to Jennifer Aniston’s Rachel haircut in Friends, Ryder’s pixie shag as unemployed videographer Lelaina inspired thousands of 20-somethings to pick up their scissors. The year was 1994 and Ben Stiller was directing his feature film debut starring Ethan Hawke and Winona Ryder, in what was to become the definitive Gen-X rom-com with an edge.
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